April Project: Day 29

I was, unfortunately, not able to do my blog post yesterday because the internet at our new place was not yet up and running. It was such a busy day, so I posted to Instagram and my facebook page via my phone, since I still had 3G on my phone. So, here is what I posted for day 29. It is a little pencil sketch of a coatimundi, an animal I was only recently made aware of. I think they are related to raccoons, but they have these adorably long snouts. I decided a profile portrait would capture that best. :)

I promised to share more colorful and playful things as soon as I was able. It is another full day of moving, though, but I will see what I can do.

April Project: Day 28

So, some days it is hard to find the time to make something and play. Today was one of those days. Tomorrow we are moving to a new apartment, so I've been a little preoccupied. I didn't let that get in the way of my weekly Tuesday traditional art skype with my dear friend and fellow artist, Kari Pearson. I love being able to talk with her about life, the challenges of continuing our creative practice, and trying to propel our creative careers forward.

Today, after talking and catching up a little, we decided that our art for today could be a 10 minute sketch of each other as we were video chatting. Kari set a timer for 10 minutes and we giggled and got started. Here is how that went.

One thing that really made us laugh was that Kari's drawing of me looked like I belonged in American Gothic. :) What I think is funny is that this may actually be what I look like when I'm creating and focusing. I look at my face in the upper corner of that screenshot and giggle. I look as though I have never taken a screenshot before and I'm anxious about it. :) Here is Kari's drawing of me. We joked that it is an accurate portrait of my duck lamp, with American Gothic me in the foreground. :)

I'm going to try to fit in some art time tomorrow, too, to continue this April Project. Check back soon! :)

April Project: Day 23

Happy first day of Summer in Iceland! Today is a holiday here, and so far the weather has really been cooperating! Chris and I just went for a run along the ocean and the sun was shining bright. We're not sure if it is because today is a holiday or because the weather is nice, but we were greeted by a few strangers on our run, and someone even smiled at us. It was likely a smile in response to my smile, but that is far better than the annoyed or puzzled looks I normally receive.

Because it is Iceland's first day of summer, I wanted to illustrate a phrase with the word summer in it. And what came to mind is a song I love by Kings of Convenience, a Norwegian duo that sings music that I usually describe as doodle-ie-doo music. It is super pleasant to listen to, and at times makes me think of some soft Simon & Garfunkel songs. The song is called Gold In The Air Of Summer. The video below is a bit shaky, but the song is good. The album is called Riot on an Empty Street. I highly recommend it.

These are the song lyrics...

Without giving anything away,
I can say it's by the sea.
It's a house that used to be the home of a friend of mine.
Without giving anything away,
you'll find ships inside of bottles,
and the garden's overgrown,
the house is white but the paint is coming of.

I didn't know if you wanted to,
when I came to pick you up.
But you didn't even hesitate,
and now you and me are on our way.
I think I've brought everything we need,
so don't look back,
don't think of the other places you should have been
it's a good thing that you came along with me.

Gold in the air of summer,
you'll shine like gold in the air of summer.

So I started on a larger project than I could possibly finish today, but I'll continue to work on the next few days, I'm thinking. Here is as far as I got today.

My idea is that this phrase will be framed by flowers and plants from the overgrown garden that the song lyrics talk about. I love ships, bottles, ships in bottles, overgrown gardens, flowers, gold, summer, cork, ocean, and things that shine... so I think this will be a fun project. Stay tuned for more! :) And have a great day!

April Project: Day 13

Hello, friends! Today I gave myself half an hour to play with my art materials. No planning, no sketching... just spontaneous sloth making! I used watercolor, then gouache, then watercolor crayons I had forgotten I even had, and then pencil. Super fun, super fast, and very playful!

Hope you have a great rest of your Monday! I'll be back tomorrow with something new to share!

April Project: Day 11

Hello, friends! Today, in between working on illustrations that are due early next week and watching a Norwegian relative of mine win silver in a karate competition, I decided to draw a chair and some cats. It is Caturday, after all. I had a scrap of rough watercolor paper to use, so I drew with a pencil and painted the pink background in gouache. This is a work-in-progress, so I think I will play some more with it tomorrow. I am unsure about how much I want to paint and how much of the graphite I want to leave showing. So far, I like the graphite on the chair and I'm considering drawing a pattern on the upholstery. I'll decide tomorrow, I guess. :)

Have a great day! And check back tomorrow to see what more I end up doing with this piece. :) 

Treasure Hunt in Granada

One of the highlights of this past year was illustrating the cover of a book in Icelandic by Ólafur Páll Jónsson. It is a middle-grade/young adult book about his daughter's experience when they lived in Granada, Spain when he was on sabbatical. The title of the book means Treasure Hunt in Granada, and with the cover I tried to evoke a feeling of adventure and mystery, while also showing off the charming style and distinctive mosaic pathways of Granada.

I met with the author and his friend, Einar, for the first time on a particularly blustery and rainy Monday here in Reykjavik. I had taken my umbrella with me, which only shortly after leaving the apartment I realized was a terrible idea. My umbrella, though adorable, could not help shield me from the wind and rain, but it could propel me in any direction like a Mary Poppins gone wrong. I closed it and carried it anyway, not wanting to turn back and be in this weather any longer than I had to. I had no idea what the author looked like, so I wondered how I would find him and how he would find me. We were meeting around lunchtime at the University of Iceland's cafeteria, which as you can imagine is a busy time of day, packed with people, many of whom look like nordic relatives of mine. I found myself a seat at a table, and after only a few moments, a man approached and said, "You must be Kirsten. I'm Ólafur." I was amazed. How did he know? "I saw your umbrella and I knew you couldn't be from Iceland." Ha, ha, ha! Yes, a rookie mistake really helped me stand out.

As we talked about the project, I took notes and got many ideas that I was excited to sketch. Within a couple days, I had send multiple thumbnail concept sketches for cover ideas.

The chosen sketch for the cover design was the first one, though they really liked them all, and the fourth sketch was a close second choice. Those two were also my favorite sketches, and I agreed wholeheartedly with their decision.

<tangent> Different mediums make me create things differently. That sounds like an obvious point, but I mean that the medium dictates how I create, not just what the finished product will look like. And though I like my usual pen and ink with watercolor, I feel that medium makes me tighten up and the final pieces often lose a little bit of the life and character that the loose sketches had. I really like my sketches, and the rough quality and spontaneity in them. Likewise, lately I have found that I feel much freer when I'm working digitally. I can more easily stay loose and make bold marks without fear. This medium is often so true to my sketching esthetic that I am super happy with the perfectly imperfect result. </tangent>

Because I liked the energy and loose quality of the sketch, I decided to do something I had not done before on a project this big. I decided I would use graphite instead of my usual ink to do my linework, and I would color this illustration digitally.

I enlarged the thumbnail sketch and added some more detail.

Then I decided to do some color studies, digitally of course.

Then I created my final "sketch," which would be the drawing I would use as my final linework.

Then I adjusted levels and saturation and started to add color. Here is what the process was like.

Since many of you are unlikely to have a copy of this book in hand, here are some details that I really like. Click on any of the squares below to page through them.

I was thrilled when I got to hold my sample printed copy! Now, if only I could wrap my head around Icelandic! I have considered painstakingly going through this book with a dictionary. I am already a slow reader as it is, so I would hate to think how long that would take me! Well, I hope those who can read it enjoy it.

I hope you enjoyed this look into the process of putting this book cover together. Cheers!